Meet the Next Generation of Ableton Controllers: the Akai APC40 and Livid Ohm64

AKAI PROFESSIONAL APC40

New USB controller for Ableton to ship the week of 6/21.
109 Buttons, 16 Endless Encoders, 9 Faders, 1 Crossfader, and Clip Launch Matrix
$399

Here’s a video of the APC40 in action:

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LIVID INSTRUMENTS OHM64

Also soon to be released is Livid’s Ohm64.

Features
• USB Powered
• Bi-Directional MIDI communication
• Class-compliant: no drivers needed for Mac, Windows, or Linux.
• 75 Programmable backlight buttons for talk-back and
interactive performance
• Programmable MIDI mapping allows you to change the MIDI settings
on the hardware
• Aluminum Faceplate
• 17.5″ x 10.5″ x 2″ (WDH) / weight 6.5 lbs.
• Open Source software tools to create your own LED talkback interaction
• Ohm Core software included for MIDI editing, and LED talkback
programming
• Cell DNA video performance software included
• Standard MIDI IN and OUT jacks
• Made in the USA by humans
• Available in natural, blue, red, and unfinished so you can stain or paint it any color you want.
$599

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WHICH ONE SHOULD I BUY?

The Ohm’s open source software certainly has potential for some creative applications. Livid has traditionally manufactured controllers for VJ use, and you can see that reflected in the Ohm 64′s design. For those concerned with portability, it has a smaller footprint than the APC. It’s also hand built in Austin, TX and looks beautiful.

The APC has more buttons, offers visual feedback (two colors), and comes mapped for Ableton. It’s also cheaper and includes a special edition of Live 7 (not 8).  This version will not support mp3 format and limits you to 8 tracks per project.  For the beginning Ableton user, the APC is probably the better value and choice, though if your collection is mostly mp3s, you may have to buy the full version of Live.  Advanced users may also prefer the APC for its ability to integrate Cycling 74′s Max/MSP into Live with an Ableton extension– Max for Live.

New Japanese Boutique Mixer Manufacturer: Alpha Musique

ALPHA MUSIQUE MODEL 4100: Inside and outside design based upon the Urei 1620.

4CH、3PHONO、4CD/LINE、1PCLINE仕様。

入力:

PHONO(RCA)×3
CD/LINE(RCA)×4
PC LINE(RCA)×1

出力:

HOUSE (XLR)LRx1
HOUSE (RCA)LRx1
BOOTH (XLR)LRx1
BOOTH (RCA)LRx1
TAPE (RCA)LR×2

24000 Yen ~ 2300USD

ALPHA MUSIQUE

Looks awesome! Check out some other boutique mixer manufacturers:
Electronique & Spectacle
Hi-Level
Formula Sound

Allen & Heath release Xone:4D

  • Totally new USB2 soundcard
  • 24bit/96kHz capability
  • Drivers available for both PC and Mac
  • 4 stereo outputs plus digital out
  • 4 stereo inputs plus digital in
  • 8 extra soundcard configuration switches remove the need for the desktop configuration utility of the :3D
  • Ability to switch FX2 RCA sockets to be recording outputs
  • Unique real-time LFO waveform edit function
  • Dual layer control surface with control snapshot allows 225 mappable MIDI controls across the two layers
  • Updated mixer circuitry
  • Improved BPM detection system
  • Heavy duty chassis and front panel
Description:
The Xone:4D utilises a USB 2.0 soundcard which is now in production in the Xone:2D and which offers much greater capability and flexibility over the previous version.
The Xone 4D will do everything that the 3D could do, and more. It will enable DJs to greatly extend the capability of their digital setup, e.g. by running 4 simultaneous decks in Native Instruments Traktor, or by being able to achieve genuine multi-track recording of their sets in applications such as Ableton Live or ProTools. The new 4D should soon be given Traktor Scratch approval by Native Instruments, enabling full compatibility with their encoded vinyl system.
Of course, the most noticeable visible element about the 4D is the new style. The 4D Has been developed in response to many people’s requests for panels which are easier to read in low light (all the white screening is in Ultra Violet sensitive paint, which glows when exposed to UV light), and for the Xone design to become more stylish and representative of contemporary design.

    Available 16 May